| 1 |
|
Don Juan, Wq. 52: Einleitung & |
Laura Aikin, Aleksandra Zamojska, Orchester Wiener Akademie & Martin Haselböck |
6:21 |
| 2 |
|
Good Evening Ladies and Gentle |
John Malkovich & Martin Haselböck |
5:02 |
| 3 |
|
Symphony in D Minor, Op. 12: C |
Laura Aikin, Aleksandra Zamojska, Orchester Wiener Akademie & Martin Haselböck |
0:40 |
| 4 |
|
Excuse me for this interruptio |
John Malkovich & Martin Haselböck |
3:18 |
| 5 |
|
Il Tamerlano, RV 703: I have a |
Laura Aikin, Aleksandra Zamojska, John Malkovich, Orchester Wiener Akademie & Martin Haselböck |
5:44 |
| 6 |
|
Women - they can really make m |
John Malkovich & Martin Haselböck |
4:13 |
| 7 |
|
Vorrei spiegarvi, o Dio in A M |
Laura Aikin, Aleksandra Zamojska, John Malkovich, Orchester Wiener Akademie & Martin Haselböck |
7:06 |
| 8 |
|
Gentlemen, as i tell you, you |
John Malkovich & Martin Haselböck |
3:26 |
| 9 |
|
Ballo grazioso aus Orfeo. When |
Laura Aikin, Aleksandra Zamojska, John Malkovich, Orchester Wiener Akademie & Martin Haselböck |
1:25 |
| 10 |
|
If we imagine, that i am the k |
John Malkovich & Martin Haselböck |
1:32 |
| 11 |
|
Ah! Perfido in C Major, Op. 65 |
Laura Aikin, Aleksandra Zamojska, Orchester Wiener Akademie & Martin Haselböck |
11:36 |
| 12 |
|
Since i died, i keep on asking |
John Malkovich & Martin Haselböck |
4:37 |
| 13 |
|
Berenice, che fai, Hob. XXIVa. |
Laura Aikin, Aleksandra Zamojska, Orchester Wiener Akademie & Martin Haselböck |
11:49 |
| 14 |
|
The old question - did i kill |
John Malkovich & Martin Haselböck |
3:03 |
| 15 |
|
Ha! Sollte Edmund selbst der m |
Laura Aikin, Aleksandra Zamojska, Orchester Wiener Akademie & Martin Haselböck |
6:16 |
| 16 |
|
It reaches inside you |
John Malkovich & Martin Haselböck |
6:20 |
| 17 |
|
Ah, lo previdi in C Minor, K. |
Laura Aikin, Aleksandra Zamojska, Orchester Wiener Akademie & Martin Haselböck |
11:30 |
| 18 |
|
Conclusion |
John Malkovich & Martin Haselböck |
2:12 |
