Directed by Alice Joana Gonçalves (www.alicejoana.com) Performers : Xana Novais , Alice Joana Gonçalves Light design : Alice Joana Gonçalves Sound design : Ricardo Cabral e Manuel Guimarães Artistic residency : Inestética Companhia Teatral 1-body against matter 2-body fits into matter 3-a new space, now inhabited by another body The intersection of The Hunting 2103 and this performance explores the question of the past and its continuation in time, as a body that never stopped, but that shaped itself until arriving at the year 2018. Starting from the initial premise that one explores the body as a matter that shapes and is shaped throughout space and time and the succession of the various sculptures through the body, impels us to its fragility, which is exhibited and which becomes the crucial element of the whole performance. Almost like a "cadavre exquis", the latest sequel The Foxes ) re-signifies the whole context of the initial performance, perhaps robs it of identity, or just dominates it, calling into question the territory to which we belong and building new boundaries . If in a first act we see a body against matter, in a second, the body fits into matter, builds a new space, now inhabited by another body.
