In early 1971, Kou left Dew and formed Ranmadou with <br />Yukio Saruyama (bass), Hisao Matsuyoshi (vocals) and <br />Toshirou Yashima (drums). (I’m not sure about the romanization <br />of those names.) Both Saruyama and Matsuyoshi had been in Blind Lemon Jefferson <br />and Yashima was recommended by Kazuo Takeda. In March, they played in Gifu Prefecture and then moved to Kyoto in May. For the next 2 months, they played <br />at a club called ‘Cat’s Eye’ and worked up most of their original material <br />While in Kyoto, they opened for an early version of Flied Egg. Around <br />this time, Ritsuo Kamimura became their manager. Kamimura had connections <br />with Hachimitsu Pie’s and Happy End’s management agency Kazetoshi, who set <br />the band up with a gig at ‘BYG’ in Shibuya, Tokyo from July. In August, they <br />played at the sub-stage of the 3rd Annual Japan Folk Jamboree and Kou claims <br />they were the loudest band there. (Dew also performed.) <br />They started recording their debut album Ranmadou in April 1972. Through their <br />management connections, Takashi Matsumoto from Happy End and Keiichi Suzuki <br />from Hachimitsu Pie were involved in the album and their influence can be <br />heard in the laid-back feeling on the first side album. It was also a conscious <br />decision on Kou’s part to move the band in a more pop direction. <br />When the URC label catalog was released on CD in 1989, Ranmadou’s performance from the 3rd Annual Folk Jamboree was released as Summer 1971. Only three of the ten tracks are from the debut. This album rocks pretty hard and suddenly the Blues Creation connection makes sense.. <br /> <br />Eiryu Kou (Guitarra) <br />Yukio Saruyama (Baixo) <br />Hisao Matsuyoshi (Vocais) <br />Toshirou Yashima (Bateria)
