Skype lessons for all levels http://www.rdiaz.org/NEWrdiaz-teaching.html#skype-lessons <br /> <br />A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V7 with ♭II7 (which could also be called ♭V7/V, subV7, or V7/♭V . For example, D♭7 is the tritone substitution for G7. <br /> <br /> <br /> <br />Ex.1/ 02:48 Em + F#m + G#m + Bbm + Cm <br />Ex.2/ 08:42 Em + F#m + G#m + Bbm + Cm + Dm <br />Ex.2/ 00:01 solo 1 <br />Ex.3/ 01:13 solo 2 <br /> <br /> <br /> <br /> <br /> <br />Solea and Secondary Dominants for Creative (6) <br />https://youtu.be/u1TGeaoykuw <br /> <br /> <br />Bulerias and Secondary dominants 1 <br />https://youtu.be/ONLH-3QSCfY <br /> <br />Bulerias and Secondary dominants 2 <br />https://youtu.be/FQSxUb7IE24 <br /> <br />Substitute Dominants 3 in Whole Tone Modulation <br />https://youtu.be/qZKqFC8YzIQ <br /> <br />Substitute Dominants 4 in Whole Tone Modulation <br />https://youtu.be/KWr3BYxmaxA <br /> <br />Substitute Dominants 5 in Whole Tone Modulation <br />https://youtu.be/2tY6of_gimU <br /> <br />Bulerias and Secondary dominants 6 <br />https://youtu.be/e8CmpsX3apQ <br /> <br />Bulerias and Secondary dominants 7 <br />https://youtu.be/Bi4JEq_t6ro <br /> <br />Bulerias and Secondary dominants 8 <br />https://youtu.be/UYK-j_2YYqw
