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Bulerias & Secondary Dominants n.7 (Andalusian Cadence in Paco de Lucia´s style) Ruben Diaz

2016-06-25 16 Dailymotion

Skype lessons for all levels http://www.rdiaz.org/NEWrdiaz-teaching.html#skype-lessons <br /> <br /> <br />Ex.1/ 02:44 Em + F#m + G#m + Bbm <br />Ex.2/ 07:52 Em + F#m + G#m + Bbm + Cm <br /> <br />*Ex.3/ 00:53 solo 2 <br />(dissonant land note on 11# of the V7b9 followed by landing on the 5th of the V7b9 and on next round solve to main landing note which is the tonic of the V7b9) <br /> <br />Ex.4/ 00:01 solo 1 <br /> <br /> <br /> <br />A secondary dominant refers to a dominant triad or seventh chord set to resolve to a degree that is not the tonic, with V(7)/V (V[7] of V), the dominant of the dominant, being the most frequently encountered example.[2] The chord a secondary dominant progresses to can be thought of as a briefly tonicized chord; that is the chord that the secondary dominant resolves to, which sounds momentarily like a tonic to the listener. Tonicizations longer than a phrase can be regarded as modulations to a new key (or new tonic). <br /> <br />"The purpose of the secondary dominant is to place emphasis on a chord within the diatonic progression."[3] "Functioning secondary dominants are used when a composer wants to inject a greater feeling of movement into a diatonic progression."[4] The secondary-dominant terminology is still usually applied even if the chord resolution is nonfunctional (for example, the V/ii label is still used even if the V/ii chord is not followed by ii).[5] <br /> <br /> <br /> <br /> <br /> <br /> <br />Solea and Secondary Dominants for Creative (6) <br />https://youtu.be/u1TGeaoykuw <br /> <br /> <br />Bulerias and Secondary dominants 1 <br />https://youtu.be/ONLH-3QSCfY <br /> <br />Bulerias and Secondary dominants 2 <br />https://youtu.be/FQSxUb7IE24 <br /> <br />Substitute Dominants 3 in Whole Tone Modulation <br />https://youtu.be/qZKqFC8YzIQ <br /> <br />Substitute Dominants 4 in Whole Tone Modulation <br />https://youtu.be/KWr3BYxmaxA <br /> <br />Substitute Dominants 5 in Whole Tone Modulation <br />https://youtu.be/2tY6of_gimU <br /> <br />Bulerias and Secondary dominants 6 <br />https://youtu.be/e8CmpsX3apQ <br /> <br />Bulerias and Secondary dominants 7 <br />https://youtu.be/Bi4JEq_t6ro <br /> <br />Bulerias and Secondary dominants 8 <br />https://youtu.be/UYK-j_2YYqw <br /> <br /> <br />..... <br /> <br />Bulerias & Secondary Dominants n.7 <br />https://youtu.be/Bi4JEq_t6ro?t=53s

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