Check out this fantastic example of stop-motion skill and creativity the short film called Omega. The end of evolution awaits in a wasteland dominated by bizarre trash formations, dust and rock. From the scattered remains of a long forgotten culture an electric ecosystem rapidly evolves into the ultimate form of existence.\r<br> \r<br>The mechanical life form Ohm inhabits a bleak and devastated planet. The thousands of mechanical creatures of this world share a single cycle of energy. In this cycle, Ohm is a rogue element. His nature is to devour and absorb others. When one day a gargantuan foreign object appears in the skies. Drawn in by mysterious creatures of light, the Ohm tracks them across the planet, changing the known order of matter, time and space.\r<br> \r<br>Directed by Eva Franz and Andy Goralczyk this extraordinary animated short film fuses high-end CGI and photographic images, miniature sets and traditional stop-motion puppet animation. For more information, please see the credit below.\r<br>\r<br>Official website: \r<br>\r<br>\r<br>\r<br>\r<br>\r<br>Cont: \r<br>\r<br>\r<br>\r<br>\r<br>\r<br>Sound Design & Music\r<br>Lorenz Schwarz\r<br> \r<br>Production Assistance\r<br>Anna Gates\r<br>Adam Gawel\r<br> \r<br>Screenplay\r<br>Eva Franz\r<br> \r<br>Charer Design\r<br>Andreas Goralczyk\r<br> \r<br>Additional Stop Motion Animation-\r<br>Andreas Grindler\r<br>Adam Gawel\r<br>Jan Eilts\r<br>Tibor Weissmar\r<br> \r<br>Environment Department Coordination\r<br>Doga Cigsar\r<br> \r<br>Additional Set and Environment Construction\r<br>Elenya Bannert\r<br>Jan Cordes\r<br>Hannes Gerlach\r<br>Hedi Haase\r<br>Erika Han Xue Hanson\r<br>Kairi Kuuskor\r<br>Janno Nou\r<br>Ursula Schachenhofer\r<br> \r<br>Additional Puppet Construction\r<br>Adam Gawel\r<br>Andreas Grindler\r<br>Benjamin Gillner\r<br>Oskar Klinkhammer\r<br>Pia Matthes\r<br>Juan Francisco Pedraza\r<br>Tibor Weissmar\r<br> \r<br>Compositing & Computer Animation\r<br>Eva Franz\r<br>Andreas Goralczyk\r<br> \r<br>CGI Rigging Support\r<br>Bassam Kurdali\r<br>Nathan Vegdahl\r<br> \r<br>Sound Recording Assistance\r<br>Martin Buntz\r<br>Corinne Schlichting\r<br> \r<br>Solo Instruments\r<br>Theo Nabicht (Contrabass Clarinet)\r<br>Shinichi Minami (Percussion)\r<br>Rie Watanabe (Additional Percussion)\r<br> \r<br>Additional music loops\r<br>Elmar Farchmin\r<br> \r<br>Additional vocals\r<br>Paula Ketteler\r<br>Hans Leo Neu\r<br> \r<br>Additional vocals recording\r<br>Tobias Fricke\r<br>Sonia Toepfer\r<br> \r<br>Special Thanks to\r<br>Our Friends and Families\r<br> \r<br>Karin Csernohorski\r<br>Phillipp Dietrich\r<br>Ulrike Barwanietz\r<br>Oliver Jelko & Malte Paetsch\r<br>Julius Schall\r<br>Charlotte Höchsmann, Sandra Denningmann, Manuel Kolip\r<br>\r<br>\r<br>\r<br>\r<br>Stefan Leimgruber\r<br>Albert Radl\r<br>Georgios Stroumpolis\r<br>Jean-Sebastian Guillemette\r<br>Christof Hierholzer\r<br> \r<br>Prof. Jürgen Walter, HitStudio Karlsruhe\r<br> \r<br>Michael Bielicky & Ludger Pfanz\r<br>Jürgen Basler & Dieter Sellin\r<br>Uwe Hochmuth\r<br>HFG Karlsruhe, Germany\r<br> \r<br>Ton Roosendaal\r<br>The Blender Developers\r<br>Blender Institute, the Netherlands\r<br>© new Eva Franz, Andreas Goralczyk
