"I am Orson Welles. <br />I never really wanted to join Roma Europa Web Factory. <br />I understand the beauty and significance of a fake. <br />As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect. <br />Fake is as old as the Eden tree. <br />Today I believe that man cannot escape his destiny to create whatever it is we make: <br />jazz, a wooden spoon, or graffiti on the wall. <br />All of these are expressions of man's creativity, proof that man has not yet been destroyed by technology. <br />But are we making things for the people of our epoch or repeating what has been done before? <br />And finally, is the question itself important? <br />We must ask ourselves that. <br />The most important thing is always to doubt the importance of the question. <br />I am Orson Welles. <br />I never really wanted to join Roma Europa Web Factory." <br /><br />Orson Welles is one of the most influential artists of the contemporary era, touching the domains of cinema, theatre, fiction, radio in a continuous research that trespasses the borders between art, communication, psychology, performance. <br />His works gave us the chance to perceive art's transformation, in a form in which art and falsificaion are divided by boundaries that are ethereal and fluid, eventually overlaying and touching. <br /><br />Orson Welles' "the War of the Worlds" radio performance was rejected by the RomaWuropa Web Factory competition. <br /><br />"This is not original work!" was the scream of the Jury. <br /><br />Orson Welles now joined RomaEuropaFAKEFactory, here: <br /><br />http://www.romaeuropa.org
