"A very talented director" -VARIETY MAGAZINE<br /><br />"Graham Jones has repeatedly proven himself one of Ireland's most intriguing directors" -HOT PRESS<br /><br />"Indie Irish film-making at its finest" -AFTER MOVIE DINER<br /><br />"At last a young Irish film director gives us what we want" -dSIDE MAGAZINE<br /><br />"Love this... Booya Indie filmmakers!"<br />-PAM GRIER AKA JACKIE BROWN on NOLA AND THE CLONES<br /><br />"All the makings of being a cult classic" <br />-GONZO MAGAZINE on SILICON DOCKS<br /><br />"A low key gem"<br />-FOCUS OF NEW YORK MAGAZINE on THE RANDOMERS<br /><br />"A powerful new Irish film"<br />-IRISH EXAMINER on DAVIN<br /><br />"A neat, tense, low-budget black and white heist movie that delivers an unexpected moral punch"<br />-THE TIMES, UK on HOW TO CHEAT IN THE LEAVING CERTIFICATE<br /><br />"Music to your ears and a symphony to your eyes”<br />-THE URBAN TWIST​ on SUNSHINE UKULELE<br /><br />"A fascinating experiment in what animation can do"<br />-COLLIDER on THE GREEN MARKER SCARE<br /><br />"Seems entirely organic and believable, unlike, say, the mawkish use of children in certain mainstream fare. There is no such indulgence in The History Student, which instead manages a feat more moving; a realisation of childhood excitement"<br />-THE MOVIE WAFFLER on THE HISTORY STUDENT<br /><br />"Jones brilliantly exploited people's mannerisms and expressions to construct his story - but his real target are patronising Western journalists, whose reporting is often no different" <br />-NEW HORIZONS, POLAND on FUDGE 44<br /> <br />"A unique film that transcends being a true crime documentary, becoming a work of art"<br />-MR GEEKY on RAINY IN GLENAGEARY
