It is a travel book. Well, if you want to see one mammoth, muddy masquerade just see Tokyo to-day. I am so amused all the time that if I were to do just as I feel, I should sit down or stand up and call out, as it were, from the house tops to every one in the world to come and see the show. If it were not for the cut of them I should think that all the cast-off clothing had been misdirected and had gone to Japan instead of Belgium. But they are mostly as queer in cut as they are in material. Imagine rummaging your attic for the colors and patterns of past days and then gathering up kimonos of all the different colors and patterns and sizes and with it all a lot of men’s hats that are like nothing you ever saw, and very muddy streets, and there you have it. The ’ricksha men have their legs fitted with tight trousers and puttees to end them, and they are graceful. They run all day, through the mud and snow and wet in these things made of cotton cloth that are neither stockings nor shoes but both, and they stand about or sit on steps and wait, and yet they get through the day alive. I am distracted between the desire to ride in the baby cart and the fear of the language, mixed with the greater fear of the pain of being drawn by a fellow-being. They are a lithe set of little men and look as if they had steel springs to make them go when you look at their course. Still I have been only in autos, of which there are not many here. I get tired with the excitement of the constant amusement. This morning a man came out of a curio shop. Bow'. Exguse me, madame, is this not Mrs. Daway? I knew you because I saw your picture in the paper. Will you not come in and look at our many curios? I shall have the pleasure of bringing them to your hotel. What is the number of your room, madame?' Bow'. No, please do not bring them to my room, for I am always out.
